Immigrants were also the focus of “Refugee: The Newest New Yorkers,” an exhibition seen in New York and several other cities.
“Hardship is certainly part of the story as Mr. Rosenthal tells it,” Holland Cotter wrote in a review of the show for The Times when it was at the Balch Institute for Ethnic Studies in Philadelphia in 2001, “but so is success.
“The American dream is still alive here,” he continued; “so are the conflicts it entails as contrasting cultures and values abruptly meet, and people struggle to adapt to a new present while maintaining a hold on what’s treasurable in the past. The dynamic is endlessly fascinating, and Mr. Rosenthal is an alert, patient, receptive artist and observer.”
Among his other exhibitions that looked at that dynamic was “A Community of Many Worlds: Arab Americans in New York,” which opened at the Museum of the City of New York in the spring of 2002, not long after the Sept. 11 attacks. Some photographs from that show were included in “Muslim in New York,” a four-photographer exhibition that opened in February at the same museum and is now at the Laurie M. Tisch Gallery at JCC Manhattan.
Mr. Rosenthal is survived by his wife, Roberta Perrymapp, with whom he had a relationship of some 30 years, though they were married only in 2014. Other survivors include a son, Josh Klinefelter, and a sister, Brenda Rosenthal Naliboff.